Dance and Fashion Essay Example for Free

Dance and Fashion Essay There’s an exciting fashion trend happening – dance. The dance and fashion industries seem to be increasingly joining forces, with dance companies commissioning high profile designers and fashion labels turning to dancers to optimally show off their clothes. The collision of the worlds of fashion and dance creates alchemy beyond the reach of either one alone. Fashion is made to move in the world, and dance is extreme motion. The interaction between dance and fashion inspires new ideas for stories and forms of expression, and brings new audiences to both art forms. This season, as the fashion industry becomes more competitive, a string of in-demand models with serious dance backgrounds literally have a leg up. At the same time, as the pages of this fall’s set of weighty magazines attest, professional dancers are influencing fashion in ways never seen before. The pathway to becoming a dancer may vary, but most people start by taking classes at a local dance school. If the goal is to become a professional dancer, this is followed by auditioning for an organization that specializes in full-time dance training, completing an accredited course, and then taking part in an array of auditions for various companies or project work. The transition from being a person who dances for fun to a person who wishes to pursue dance as a career offers a mixture of challenges, rewards and in some cases disappointment. The competitive reality of gaining dance employment requires confident individuals who are physically, technically, artistically and socially equipped to sustain the standards associated with the profession. (The Australian Ballet, 2010). For some people, dancing is their everything, wherein it is their way of exercising, expressing and meditating. It is also a reliable source of income. So many people do not believe they can dance. They think they are uncoordinated, have no rhythm and most of all, they assume the ability to dance is either something you have or you don’t. They see dancers as members of an unattainable and exclusive club of good posture, hours of practice and perfect young bodies with plenty of technique. Dancers are often called the athletes of the arts and like athletes they undergo years of hard physical training in pursuit of excellence. It is exhilarating watching human beings perform extraordinary and courageous physical feats. In dance, this energy is used to tell stories and convey ideas, creating very powerful experiences that can be dramatic, moving and even funny. (The Autralian Ballet, 2010) However, if you are one of those people who have always thought you had two left feet, or are just starting out, don’t allow any negative thoughts deprive you of the happiness that dancing brings. No matter what style: jazz, ballroom, belly dance or just plain shaking it to your favorite tune, dancing is one of the greatest joys in life. It can transform your attitude in a second and transport you into pure bliss. Dancing is for everyone. On the other side of the coin, being a supermodel is somewhat the same as being a dancer wherein there are certain challenges that need to be surpassed and most importantly you should’ve the skills to become one. Gracing the covers of Vogue magazine, parading the catwalks, travelling the world, being snapped by photographers constantly, oh these are just the wonders of being a supermodel. And who doesnt wish of becoming one? This job has all the perks. The star treatment, the attractive salary, the designer clothing, the great figure and desirable features, liaising with the rich and famous, being whisked off to exotic destinations. So many young women from all areas of the world aspire to become a supermodel and have the lifestyle they dream of. However, due to the appeal of the job role it is no wonder there is such stiff competition. Being both dancer and a supermodel is quite difficult. But in today’s generation there are some people who are lucky enough to have these talents that some may not have even one of those. This people have that confidence and charisma to be able to combine the two major forces of arts that could influence the audience and the society as well. The people whom I talking about is Coco Rocha and Karlie Kloss they are powerful in their own ways through their talents and in that way could amazed us. Introducing the beautiful, popular and charismatic supermodel and Irish dancer – Coco Rocha. Discovered at the young age of fourteen by agent Charles Stuart, Coco (born Mikhaila Rocha on September 10, 1988) had never considered modeling or fashion as particular interests, She is trained in ballet from age 4 and planned to become a professional dancer until she was spotted at an Irish dance competition in Vancouver, British Columbia, her hometown. Born in Toronto, Ontario, Coco grew up in Richmond, British Columbia. She has two siblings, and her parents are both in the airline industry. Coco says her parents are supportive of her career, if a bit out of touch. (Rota, 2011) Did you know Coco Rocha used to be a serious Irish dancer? Yep, the illustrious model was jigging all over the place as a child and Irish dancing actually played a major part in propelling her modeling career. She was discovered at an Irish dance competition and became known as the Irish dancing model after Jean-Paul Gaultier asked her to jig down his runway in 2007. Apparently, Irish dance still holds a place in Coco‘s heart. Coco Rocha is loved by the media and fashion industries. Her practice of Irish dancing has endeared her to both the general masses and industry giants, and her earthy appeal and classic looks have won her sought after contracts with cosmetic giants YSL and Rimmel. Now, Coco is more focused in her modeling career as she is part of the 7 modeling agencies all over the globe and has walked down the runways of Marc Jacobs, Versace, Prada, Miu Miu, Louis Vuitton, Anna Sui, Dolce Gabbana, Chanel, Balenciaga, and Jean Paul Gaultier. She has the talent frequently attributed to her background as a dancer and performer. (E-Money, 2012) She works regularly with the most important photographers including Steven Meisel, Patrick Demarchelier, Arthur Elgort, Nathaniel Goldberg, Mikael Jansson, Greg Kadel, Steven Klein, Annie Leibowitz, Peter Lindbergh, Craig McDean, Nick Night, David Sims, Mario Sorrenti, Solve Sundsbo, Inez Van Lamsweerde Vinoodh Matadin. Her advertising campaigns include Christian Dior, Chanel, YSL Beaute, YSL Fragrance Elle, Balenciaga, Lanvin, Dolce Gabbana, Tommy Hilfiger, The Gap, PHI, Nicole Farhi and DeBeers. (Model Scouts, 2012) These are just some of the most famous names in the fashion industry and Coco being part of it was just exemplary. Who would have thought and seen a model doing an Irish dance in the runway and entered the fashion industry at the age of 14. Well, she is Coco Rocha both dancer and supermodel. Karlie Elizabeth Kloss was born in Chicago, Illinois on August 3rd, 1992. Her family her father an emergency room doctor mother, an artist, and three sisters relocated to suburban town of St Louis, Missouri in 1995. Kloss began studying classical ballet at Castons Ballet Academy in 2002 where her talent in dance improved tremendously. Kloss was discovered at the age of 13 by model scouts Jeff and Mary Clarke when she walked in a St Louis charity fashion runway show in 2005. (Vogue) Karlie Kloss is an American model and 12-times Vogue cover girl. Since being discovered in 2005, at the age of just 13, Klosss meteoric rise to success has seen her become a household name. With grounding in classical ballet, Kloss is famed for her mesmerising stage presence and unparalleled walk. She moves like a cat. I love the way she walks. For me, its more important than beauty, Carolina Herrera said in 2011. This poise translates to film as well. John Galliano has referred to her as a chameleon: On set she smolders. She becomes this other creature in front of the lens. (Vogue) Once just another little girl with big dreams of being a ballet dancer, growing up in St. Louis, Montana, Karlie Kloss is just like Coco Rocha that they haven’t expected this kind of path they would’ve walked and be known in the fashion industry worldwide. The young fashion model’s entrance into the big leagues has of course led to a crossfire of rumors and criticism but, like a free spirit, Karlie has brushed off the negativity and gotten right back on her feet, quite literally sometimes. She has taken painful-looking falls on the runway walking for Fendi and Prada and, like a true supermodel, the skillful Karlie rose to her feet each time to finish her walk gracefully. That is normal in the life of a supermodel, there are ups and downs. Little do we know that there are still people that exists with these amazing and one of a kind talents. Hence, fashionable dance or danceable fashion, either way it works. Works Cited E-Money. (2012, February 23). Coco Rocha Dances: White House | Black Market Spring Commercial. Retrieved January 28, 2013, from http://www. yourstrulybrand. com/2012/coco-rocha-tap-dances-white-house-black-m

Jet Propulsion :: essays papers

Jet Propulsion Introduction: The following report, submitted to Roy Aircraft Engines Incorporated for an efficiency study, is an analysis of a turbojet engine completed by thermodynamically studying each main component that constitutes a turbojet engine. RAE Incorporated requested software that would calculate the theoretical maximum output velocity, using input data imputed by the user of the program. The calculations are made assuming idealized conditions. In the analysis, the turbojet was broken down into its fundamental parts, which consist of an inlet, compressor, burner, turbine, and nozzle. Description of Turbojet Components First, the inlet / diffuser, of a turbojet brings free stream air to the engine and does no thermodynamic work on the flow. It is assumed that the flow through the diffuser is isentropic. Second, the compressor does work onto the gas passing through to raise the pressure. Again, this process is assumed to be isentropic. Third, the compressed air is combined with fuel and is ignited within the combustor. The process within the combustor is assumed to be isentropic. The resulting high temperature fluid is used to turn the fourth component of the turbojet, the turbine. Next, the turbine is used to extract energy from the heated flow coming from the burner. This is done by this flow of gas passing through blades on a free spinning shaft. The turbine generates just enough energy to drive the compressor. When the flow passes through the turbine, the pressure and temperature are decreased. The next step is optional within the program. Here an afterburner is used to reheat the exiting gas from the turbine. This is done by injecting additional fuel into the gas exiting from the turbine. Igniting this mixture produces a higher temperature at the nozzle, as a result the final velocity of the jet engine is increased. Finally, the flow comes through the nozzle where no thermodynamic work is performed on the flow by the nozzle. The temperature remains constant through the nozzle while the pressure and velocity of the flow will change as dictated by the design of the nozzle. The nozzle is used to produce thrust and used to conduct the exhaust gases back to the free air. For the analysis of the turbojet, several assumptions were made and are as follows: 1. Air behaves as a compressible, ideal gas. 2. Flow through the diffuser, nozzle, compressor and combustor is Jet Propulsion :: essays papers Jet Propulsion Introduction: The following report, submitted to Roy Aircraft Engines Incorporated for an efficiency study, is an analysis of a turbojet engine completed by thermodynamically studying each main component that constitutes a turbojet engine. RAE Incorporated requested software that would calculate the theoretical maximum output velocity, using input data imputed by the user of the program. The calculations are made assuming idealized conditions. In the analysis, the turbojet was broken down into its fundamental parts, which consist of an inlet, compressor, burner, turbine, and nozzle. Description of Turbojet Components First, the inlet / diffuser, of a turbojet brings free stream air to the engine and does no thermodynamic work on the flow. It is assumed that the flow through the diffuser is isentropic. Second, the compressor does work onto the gas passing through to raise the pressure. Again, this process is assumed to be isentropic. Third, the compressed air is combined with fuel and is ignited within the combustor. The process within the combustor is assumed to be isentropic. The resulting high temperature fluid is used to turn the fourth component of the turbojet, the turbine. Next, the turbine is used to extract energy from the heated flow coming from the burner. This is done by this flow of gas passing through blades on a free spinning shaft. The turbine generates just enough energy to drive the compressor. When the flow passes through the turbine, the pressure and temperature are decreased. The next step is optional within the program. Here an afterburner is used to reheat the exiting gas from the turbine. This is done by injecting additional fuel into the gas exiting from the turbine. Igniting this mixture produces a higher temperature at the nozzle, as a result the final velocity of the jet engine is increased. Finally, the flow comes through the nozzle where no thermodynamic work is performed on the flow by the nozzle. The temperature remains constant through the nozzle while the pressure and velocity of the flow will change as dictated by the design of the nozzle. The nozzle is used to produce thrust and used to conduct the exhaust gases back to the free air. For the analysis of the turbojet, several assumptions were made and are as follows: 1. Air behaves as a compressible, ideal gas. 2. Flow through the diffuser, nozzle, compressor and combustor is

A Faithful Servant: the Ambition and Power of Thomas Wolsey

During the beginning of Henry VIII reign, the young and inexperienced new king was content with letting his father’s advisers continue to govern the realm from the security of the council. As Henry wasn’t interested in the responsibilities, namely regarding the political aspects and hard work that went into being the king, he let most of the trials and tribulations fall upon these selected councilmen, until one minister came to dominate over the rest. The Archbishop of York, Thomas, Cardinal Wolsey (1473-1530) seemed to take over when the members of Henry’s council began to retire or die off.This rise to power that the cardinal was experiencing, as well as his new found friendship with the king eventually lead to his very dramatic fall from grace due to the actions regarding the King’s Great Matter not suiting his position with the church. The Great Cardinal came from very humble beginnings in comparison to some of his counterparts. A son of a butcher and cattle dealer from Ipswich Suffolk, Wolsey secured a spot at Oxford on a poor boy’s scholarship. It was there that the young Wolsey decided to devote his life to God and joined the church.Due to his striking intelligence and organizational skills, Thomas moved up in ranks of the church rather quickly, starting as a chaplain with the archbishop of Canterbury, and then beginning the reign as royal almoner to King Henry VII. This newfound position gave Wolsey a seat on the Privy Council, which gave him an opportunity to show his driving ambition for power and his industrious nature to the king. When Henry VII succeeded his father in 1509, Wolsey continued his life at court and quickly outgrew his position as royal almoner.After very successful military campaigns in France, which garnered Henry the glory of defeating a powerful opponent as well as French land lead 1512-1514, the faithful servant was rewarded with leading these successful escapades with the title of Archbishop of York in 1514, as a way of Henry showing his gratitude and during the following year he was awarded with the prestigious cardinal’s hat by the pope. The gratitude’s that Henry bestowed upon Wolsey were numerous, which in turn made him one of the most hated men to hold any sort of high office in England.This hatred of Wolsey sprung from the fact that Wolsey, being a churchman was supposed to lead a relatively simple lifestyle. This however was not the case and Wolsey was quickly given the title of a notorious pluralist, which is that, he usually held more than one ecclesiastical position at once. Due to his friendship with the king, Wolsey was awarded the title of dean of Lincoln in 1509, then bishop of Lincoln in 1514, which coincided with his rise to archbishop of York. As was previously stated, Wolsey was given the title of Cardinal in 1515, and then in 1518 he was also granted the titles of abbot of St.Albans and bishop of Bath. Wolsey’s good fortunes continue d still when, in 1524, he exchanged the title of bishop of Bath for the wealthier see of Durham; and then finally gave up Durham for bishop of Winchester. Wolsey held many of these positions while maintaining his status of Archbishop of York, this favoritism that was being clearly showed by the king towards Wolsey made him many enemies. Holding many of these titles, show many historians the ambition that Wolsey had with his king, however he also had much ambition regarding his church standings.From 1518 onwards, Wolsey held the position of the pope’s personal representative, or legate, in the realm of England. However, it should be noted that the legate to the pope had an even higher ambition in that Wolsey wanted to be pope himself. During 1519 Despite having numerous enemies within Henry’s court, Wolsey retained the confidence and good graces of the king, until Henry decided to solicit an annulment to his marriage to Catherine of Aragon, so that he could marry the am bitious Anne Boleyn.To achieve the divorce, Henry looked to Wolsey once again, expecting the Great Cardinal to use his pull on Rome as well as with those powerful in England to gain the outcome that Henry expected. Bibliography Primary Sources â€Å"Act in Restraint of Appeals (24 Hen. VIII, c 12, 1533). † In Sources and Debates in English History, 1485-1714. Eds. Newton Key and Robert Bucholz. 2d. ed. Chichester: Riley-Blackwell, 2009. P. 41. â€Å"Articles against Cardinal Wolsey, signed by the Lords (December 1, 1529). † In Sources and Debates in English History, 1485-1714. Pp. 39-40 Cardinal Wolsey’s Report to Henry VIII on Proceedings in Star Chamber (ca. 1518). † In Sources and Debates in English History, 1485-1714. Pp. 37. â€Å"John Skelton, â€Å"Why Come Ye Not to Court? † (written 1522, pub. 1568). † In Sources and Debates in English History, 1485-1714. Pp. 38-39 â€Å"Venetian Ambassador Sebastian Giustiniani’s Report on C ardinal Wolsey (September 10, 1519). † In Sources and Debates in English History, 1485-1714. Pp. 37-38 Secondary Sources Bulcholz, Robert, and Newton Key. Early Modern England, 1485-1714. 2d ed. Chicester: Wiley- Blackwell, 2009.

Jane Austen s Novel Of The Novel Emma - 2107 Words

In this particular film adaptation of the novel Emma, the character Jane Austen presents in the novel is the type of person who likes to meddle in other people’s lives. In this particular adaptation of Emma, Emma is portrayed through the character Cher. Cher is also a meddler in other people’s lives. This sets the film up for an interesting and developing plot. Cher Horowitz illuminates Emma Woodhouse because they both exist in that precarious realm where lovable threatens to tip over into loathsome, but doesn’t. In the process of narrowly avoiding awfulness, both of these princesses give us insight into ourselves, even if we don’t resemble them at all. Emma may be older than Cher, but she is an adolescent in most senses, a young woman who has never left her father’s side or her small neighborhood. She has free rein at home but is also confined by her caretaker role, which she performs as Cher does with her lawyer dad lovingly and without complaining. Yet Emma’s protected provincialism ensures she doesn’t fully understand the larger world, and her own role in it, particularly the potential of her power — over men, over women, over her neighbors. Just as Clueless, Tai actually has more real-world chops than her self-appointed life coach, Cher Horowitz, most everyone in Austen’s Highbury has seen more of existence than Emma has but they defer to her because of this â€Å"handsome, clever and rich† woman’s social rank, charm, and beauty. The ensuing disconnect between Emma’sShow MoreRelatedEmma Cultural Context1084 Words   |  5 PagesEmma by Jane Austen Cultural context The novel I have studied is Emma by Jane Austen. The cultural context to which we are introduced in the novel Emma by Jane Austen, is the world of the middle classes in the nineteenth century. In this essay I will look, firstly, at the role of women in this world. 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